HATCH 2012

Call for Proposals

The Call for Submissions for the 2012 season has now closed! Thanks to all of the Toronto-area artists and companies who applied.

Now heading into its ninth year, HATCH is designed to incubate and foster invention and innovation in the local performance scene. The programme has quickly become an important element in the ecology of local performance development. Harbourfront Centre invites projects from emerging creators as well as established artists engaging in new collaborations or entering into new artistic territory. We encourage performance proposals from artists working across all disciplines, including, but not limited to, dance, theatre, performance art, music, etc.

Of particular interest are proposals that can demonstrate how HATCH will benefit the project or the artist during this stage of development. HATCH is not about an opportunity for staging a fully finished piece but about using the week to develop a new or existing piece of work. The week itself is about exploring the process of development, with the showing of work being only part of this process.

Harbourfront Centre is an innovative non profit cultural organization which creates events and activities of excellence that enliven, educate and entertain a diverse public. Since its inception, Harbourfront Centre has been introducing Toronto audiences to artists and art forms, exploring new and bold frontiers in the arts and creative expression.

Companies and artists selected to participate in HATCH will receive a one-week residency in the Studio Theatre, located at Harbourfront Centre. The Studio Theatre is an intimate, 196-seat proscenium venue featuring a full lighting grid, raked seating and sprung stage floor. Use of the residency period is at the discretion of the artist and needs of the project (i.e. workshop, rehearsals, performance, etc.) but there must be at least one presentation of the work for the public and/or invited audience at some point in the week.

Jess Dobkin's performances, artist's talks and workshops are presented internationally at museums, galleries, theatres, universities and in public spaces. Her creative endeavors have received wide support and recognition, including awards from the Canada Council for the Arts, the Ontario Arts Council, and Toronto Arts Council, and repeated funding from the Franklin Furnace Fund for Performance Art and the Astraea Foundation. She was named "Best Performance Artist" by NOW magazine and Xtra magazine, and her Lactation Station Breast Milk Bar performance continues to draw international media attention and interest. Please click here for more information on Jess Dobkin.

For more information on HATCH and how to apply, please contact us at 416-973-4237 or by email.

Testimonials from HATCH participants

"I can't believe I made something so beautiful, I can't believe it pulled together in a week! A wild ride, this is what HATCH is here for isn't it? To give an artist the opportunity to realize/manifest an experiment, like in a lab, where a scientist for one week gets access to the equipment s/he needs for a critical experiment and they make a break through, that's really what happened for us, we breathed life into the Mrtvolka."

Daniela Sneppova
Mrtvolka
HATCH 2011

"At the very least, HATCH was a wonderful opportunity to work with a premier institution filled with amazing staff & visionaries who provided us the creative guidance and technical support we needed to elevate our process and, ultimately, work. Given our members' geographical distances, we wouldn't have achieved such scale & scope otherwise.

"But perhaps more importantly,HATCH is a uniquely creative environment that fosters a sense of community among its participants. Under Ame Henderson & Jo Hunter's gracious care, we felt like family. And exchanged ideas accordingly during gatherings. So it isn't so outlandish to compare HATCH to The Cool Parent. You know, the one who casually leaves out Playboy/girl mags for you to discover. And when you mention things like, 'Can I have a Duran Duran haircut,' they say, 'Yes, but please listen to this Motorhead record first.' Then later on in life, you find yourself joyfully recounting this very story to a complete stranger in an effort to explain why you've seen Slayer 13 times. Yeah, baby."

Arthur Yeung, Looking Sea Collective
Passages
HATCH 2011

"The deceptively simple notion of being able to actually create and rehearse new work in the theatre the work was to be performed in – with every effort made by Harbourfront Centre staff to provide all the support and resources they could – was nothing short of a revolution for our project and our company. Through our HATCH residency we discovered an immediate, active way of working that I hope will inform our creation and rehearsal methods for years to come."

Brendan Gall, co-artistic director, The Room
Red Machine: Under the Knife
HATCH 2010

"There are few opportunities in this city that give emerging artists and performers a chance to get together with their collaborators and just create. The fact that this happens in a fully equipped theatre with expert staff able to assist with everything from press releases to technical questions makes it an amazing opportunity for any company. Even just being associated with the Harbourfront Centre has opened up doors for our company."

Erin Brandenburg, Kitchen Band Productions
Petrichor
HATCH 2009

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